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发表于 2012-2-29 09:07:23
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本帖最后由 Test 于 2012-3-14 14:26 编辑
Analysis
In Chapter 7, The oak tree with the knothole is in the Radley yard, and after Mr. Radley fills it up claiming he is trying to save the obviously healthy tree from dying, it becomes fairly clear that Boo Radley has been leaving the presents for the children. In addition, the offerings are sweet, harmless, and clearly quite thoughtful, demonstrating that despite his lack of social skills, he means well and has a generous and perceptive nature. Boo's gifts also suggest a fondness for children. Having lost much of his childhood after being kept inside his home at all times, perhaps Boo is nostalgic and lives vicariously through watching Scout and Jem play, live, and grow. Mr. Radley, who plugs up the hole, and all the other adults discourage Boo's interaction with the children, but Jem feels great sympathy for the man, reflecting the beginning of his passage from childhood to adulthood. When the conversation with Boo ends, so do childish games, and Jem must mature. Standing alone on the porch, Jem stands on a threshold between indoors and outdoors, between childish freedom and the inside civilized world of adults. In this quiet, reflective, sad moment, we don't know what Jem is thinking, but perhaps he is mourning the last days of his own childhood as much as the unfair imprisonment of his mysteriously detached new friend, Boo Radley.
Chapter 8 is concerned mainly with the conclusion of the search for Boo Radley, with more narrative than thematic material. The narrative outlines the children's activities, including sneaking around the Radley house, finding presents left in the tree, discovering the hole has been filled with cement, and watching Miss Maudie's house burn down. While watching the fire, Boo wraps a blanket around Scout, and she doesn't even notice. Throughout these chapters, Boo is portrayed as a friend to the children and a caretaker of sorts. He looks out for them, giving them thoughtful gifts and making sure they stay warm when stuck out in the cold. Clearly, Boo watches the children, and his actions in these chapters foreshadow his daring rescue later on.
The threat of the fire unites the community as everyone works together to try to overcome it. Even Mr. Radley, who generally does not interact with his neighbors, comes out to help fight the flames. Ironically, Miss Maudie is happy to be forced to have a smaller house because she wants a bigger garden. Miss Maudie loves to spend time outdoors. Throughout the book, the location of people and events inside or outside of houses is highly relevant. In general, those who are usually seen and described as being willfully inside the house: Mrs. Dubose and Aunt Alexandra in particular, are often more corrupted by prejudices of society. The open-minded children run outside constantly, and Dill in particular has no house of his own, making him extremely free. Miss Maudie stays outside a great deal, as does the sheriff, Heck Tate, and both prove to be on the side of all that is good. Those who are forced to stay inside are victims of society's influence, especially Boo Radley and Tom Robinson, who both live within their respective forms of jail for much of the book. Atticus is an exception: the presence of his office gives him a different kind of house to live in, one that is tied into the fabric of society and yet is also outside of it. Atticus very rarely uses his car, and his daily walks back and forth from home to his office demonstrate that he is part of the "outside" world of free thinkers.
Chapter 9 lays some of the groundwork for the upcoming Tom Robinson trial, which will occupy the remainder of the novel. Atticus knows it will be a difficult time for the children, and though the reader doesn't know anything about the case yet, Atticus already claims that it is hopeless, because the jury simply won't believe a black man's word against a white man's, no matter what the evidence. The trial is thus about more than simply setting a man free - Atticus seems sure that he won't win, but he suggests it will cause a stir in the town that will have major repercussions. The bigotry and racism that have been endemic to Southern society for a hundred years may not be eradicated by this single case, but Atticus will fight anyway to do his small part in working towards equality and to follow his own conscience and set an example for the community. Atticus knows that if he is false in his work as a lawyer, than he cannot be true to his family or friends.
This first introduction of Aunt Alexandra presents her as a dominating and traditional presence with strong opinions about how Scout ought to behave. Her ideas of what a Southern lady should do become a constant reminder for Scout that she is always doing something "wrong." However, Scout is always comforted by knowing the accepting and open-minded Atticus doesn't mind her "too much" the way she is. Scout's behavior constantly flies in the face of traditional Southern female attributes, but the codes that her aunt tries to force on her often seem unreasonable and unjustified since they are based mainly on sheer tradition. Scout can maintain her youthful identity for now, but when Aunt Alexandra moves in with the Finch family during the trial, she will find herself more directly torn between two worlds - her childhood innocence and the ideal behavior of a Southern lady.
These parallel struggles of individual identity against communal tradition - Atticus's preservation of his own morals and Scout's preservation of her own idea of what it means to be a girl - suggest that though Atticus's fight for justice is very difficult and lonely, the process of growing up as a tomboy in the 1930s South could be equally painful and lonely at times, and certainly contributed to Scout's strong character development. Atticus clearly encouraged Scout to be her own kind of girl, both directly and through his personal approach to his own life.
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